POPPY PITT
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‘time is that which disappears as such in order to make appearance and disappearance, that is events, possible. Its disappearance is twofold: It disappears into events, processes, movements, things, as the mode of their becoming’
Elizabeth Groz: becomings-exploration in time, memory and future [1999]
'...it is being-in-the-world, as the phenomenologists say: at the same time I become in sensation and something arrives through sensation, one through the other, one in the other. And finally it is the same body that gives and receives sensation, that is at the same time object and subject'
Gilles Deleuze, Francis Bacon: The logic of sensation [1981], cited in Ronald Bogue, ibid., p. 260
'The poetics of cloth are composed of folds, fragments and surfaces of infinite complexity. The fragment bears witness to a broken whole; yet it is also a site of uncertainty from which to start over; it is where the mind extends beyond fragile boundaries, beyond frayed and intermediate edges, expanding in the fluidity of the smooth. The surface is a liminal space, both inside and out, a space of encounter.'
Pennina Barnett: folds fragments, surfaces; towards a poetics of cloth; Texture of Memory Poetics of Cloth.,[1999]
‘time is that which disappears as such in order to make appearance and disappearance, that is events, possible. Its disappearance is twofold: It disappears into events, processes, movements, things, as the mode of their becoming’
Elizabeth Groz: becomings-exploration in time, memory and future [1999]
'...it is being-in-the-world, as the phenomenologists say: at the same time I become in sensation and something arrives through sensation, one through the other, one in the other. And finally it is the same body that gives and receives sensation, that is at the same time object and subject'
Gilles Deleuze, Francis Bacon: The logic of sensation [1981], cited in Ronald Bogue, ibid., p. 260
'The poetics of cloth are composed of folds, fragments and surfaces of infinite complexity. The fragment bears witness to a broken whole; yet it is also a site of uncertainty from which to start over; it is where the mind extends beyond fragile boundaries, beyond frayed and intermediate edges, expanding in the fluidity of the smooth. The surface is a liminal space, both inside and out, a space of encounter.'
Pennina Barnett: folds fragments, surfaces; towards a poetics of cloth; Texture of Memory Poetics of Cloth.,[1999]